Charles Lloyd | |
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Photo by Luke Wroblewski |
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Background information | |
Born | March 15, 1938 Memphis, Tennessee, USA | ,
Origin | Los Angeles, California, USA |
Genres | Jazz |
Occupations | Musician |
Instruments | Tenor saxophone, flute, taragot, other woodwinds |
Years active | 1961–present |
Labels | Atlantic, ECM |
Website | charleslloyd.com |
Charles Lloyd (born March 15, 1938) is an American jazz musician. Though he primarily plays tenor saxophone and flute, he has also occasionally recorded on alto saxophone and more exotic reed instruments which include the Hungarian tárogató. Lloyd's saxophone playing is often characterized as an individualized, lighter-toned variant of John Coltrane's style. His best known composition is "Forest Flower".[1]
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Lloyd was born in Memphis, Tennessee. From an early age, he was immersed in that city's rich musical life and was exposed to jazz. He began playing the saxophone at the age of 9 and took lessons from pianist Phineas Newborn. One of his closest friends was trumpeter Booker Little. Lloyd became a sideman in the blues bands of B. B. King, Howlin' Wolf, Bobby "Blue" Bland and others.
In 1956 Lloyd moved to Los Angeles and earned a music degree from the University of Southern California. During this period Lloyd played in the big band of Gerald Wilson. From 1960 to 1963 Lloyd played in the band of drummer Chico Hamilton and became its musical director. Though the band was known for playing "chamber jazz" at the beginning of Lloyd's tenure, his influence as a composer and a player quickly pushed it in a more progressive post-bop direction. Lloyd's key musical partner in the band was the guitarist Gábor Szabó. In 1964 Lloyd left Hamilton's group to play with alto saxophonist Cannonball Adderley. During this period he recorded two albums as a leader for Columbia Records; his sidemen were other young musicians including Herbie Hancock, Ron Carter and Tony Williams. Through 1966-1968 Lloyd led a quartet with pianist Keith Jarrett, bassist Cecil McBee (afterwards, Ron McClure), and drummer Jack DeJohnette, that producer George Avakian signed to a contract with Atlantic Records. The quartet's music was an interesting fusion of straight-ahead post-bop, free jazz, and soul jazz. The group's music quickly caught on with both jazz fans and critics. Somewhat surprisingly, they also achieved a fair amount of crossover success with young rock fans and became the first jazz group to play in The Fillmore. The album Forest Flower became a big commercial hit, largely on the strength of the title track. Other noteworthy albums include Dream Weaver and Love-In.
In 1968, after the quartet's demise, Lloyd entered a state of semi-retirement. Despite recording several albums during the 1970s and occasionally appearing as a sideman, he practically disappeared from the jazz scene. During the 1970s Lloyd played extensively with The Beach Boys both on their studio recordings and as a member of their touring band. In the late 1970s Lloyd was a member of Celebration, a band composed of members of the Beach Boys' touring band as well as fellow Transcendental Meditation followers Mike Love and Al Jardine. Celebration released two albums.
Upon being approached by pianist Michel Petrucciani in the early 1980s, he resumed playing actively. From 1989, Lloyd toured actively and recorded for the ECM label. Although his playing had not changed much stylistically since his groundbreaking work in the 1960s, these recordings showcased his sensitivity as a ballad player. Noteworthy albums include Canto, Voice in the Night, The Water Is Wide (featuring Brad Mehldau, John Abercrombie, Larry Grenadier and Billy Higgins), Lift Every Voice (featuring Geri Allen), and the live Rabo de Nube with Jason Moran). Lloyd has shown great consistency and creativity in his period with ECM, much of his music containing a strong spiritual element, some it heavily in a "world music" vein, and some of it unusual and experimental as in the duets on Which Way is East? with his longtime friend and musical soulmate, Billy Higgins.
Release date | Title | Label |
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1964 | Discovery! | Columbia |
1965 | Of Course, Of Course | Columbia |
1968 | Nirvana | Columbia |
1966 | Dream Weaver | Atlantic |
1966 | Forest Flower | Atlantic |
1966 | The Flowering | Atlantic |
1966 | Charles Lloyd in Europe | Atlantic |
1967 | Love-In | Atlantic |
1967 | Journey Within | Atlantic |
1967 | Charles Lloyd in the Soviet Union | Atlantic |
1968 | Soundtrack | Atlantic |
1970 | Moon Man | Kapp |
1971 | Warm Waters | Kapp |
1972 | Waves | A&M |
1973 | Geeta | A&M |
1973 | Morning Sunrise | ADC |
1978 | Weavings | Pacific Arts |
1978 | Koto | ADC (Same album as Pathless Path) |
1979 | Pathless Path | Unity (Same album as Koto) |
1979 | Big Sur Tapestry | Pacific Arts |
1979 | Autumn in New York Volume One | Destiny |
1982 | Montreux 82 | Elektra/Musician |
1983 | A Night in Copenhagen | Blue Note |
1989 | Fish Out of Water | ECM |
1992 | Notes from Big Sur | ECM |
1993 | Acoustic Masters I | Atlantic |
1993 | The Call | ECM |
1994 | All My Relations | ECM |
1996 | Canto | ECM |
1999 | Voice in the Night | ECM |
2000 | The Water Is Wide | ECM |
2001 | Hyperion with Higgins | ECM |
2002 | Lift Every Voice | ECM |
2004 | Which Way is East | ECM |
2005 | Jumping the Creek | ECM |
2006 | Sangam | ECM |
2008 | Rabo de Nube | ECM |
2010 | Mirror | ECM |
2011 | Athens Concert (with Maria Farantouri) | ECM |
Release date | Title | Label | Notes | |||
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With Chico Hamilton | ||||||
1960 | Bye Bye Birdie - Irma La Douce | Columbia | ||||
1960 | The Chico Hamilton Special | Columbia | ||||
1962 | Drumfusion | Columbia | ||||
1962 | Transfusion | Studio West | ||||
1962 | Passin' Thru | Impulse! | ||||
1963 | A Different Journey | Reprise | ||||
1963 | Man from Two Worlds | Impulse! | ||||
1965 | Chic Chic Chico | Impulse! | Appears on only one track | |||
With Les McCann | ||||||
1961 | Les McCann Sings | Pacific Jazz | Appears on four tracks | |||
With Cannonball Adderley | ||||||
1964 | Cannonball Adderley Live! | Capitol | ||||
1964 | Cannonball Adderley's Fiddler on the Roof | Capitol | ||||
1991 | Radio Nights | Night | ||||
With The Beach Boys | ||||||
1971 | Surf's Up | Caribou/Stateside | Appears on only one track | |||
1972 | Holland | Brother | ||||
1976 | 15 Big Ones | Brother | Appears on only one track | |||
1978 | M.I.U. Album | Brother | ||||
With Canned Heat | ||||||
1971 | Historical Figures and Ancient Heads | United Artists | Appears on two tracks | |||
With The Doors | ||||||
1972 | Full Circle | Elektra | Appears on "Verdilac" and "The Piano Bird" | |||
With Harvey Mandel | ||||||
1972 | The Snake | Janus | Appears on only one track | |||
With Gabor Szabo | ||||||
1973 | Gabor Szabo Live | Blue Thumb | Appears on only one track | |||
With Roger McGuinn | ||||||
1973 | Roger McGuinn | Columbia | Appears on two tracks | |||
With William Truckaway | ||||||
1976 | Breakaway | Reprise | ||||
With Celebration | ||||||
1978 | Almost Summer: Music from the Original Motion Picture | MCA | ||||
1979 | Celebration | Pacific Arts | ||||
1979 | Disco Celebration | ADC | ||||
With Joe Sample | ||||||
1995 | Old Places, Old Faces | Warner Bros | Appears on three tracks | |||
With Mark Isham | ||||||
1998 | Afterglow: Music from the Motion Picture | Columbia |